Showing posts with label S Research. Show all posts
Showing posts with label S Research. Show all posts

Thursday, October 30, 2008

5. Designer Research Week 4

30th Aug

This week, I presented Eley Kishimoto as the fashion designers that I find use textiles in an inspirational way, and tried to make a connection between its works and mine.



"Eley Kishimoto is the brand of designers Mark Eley and Wakako Kishimoto. Mark is from Wales and Wakako is from Japan. They are based in London, and have been showing at LFW since 2001. I have chosen three collections to describe their design output based on speculation.



AW 0405 collection
Imagery: Hunters, blood and innocent fawns.
Pattern: English florals, stripes, animal silhoettes. They range from tiny to oversized prints.
Placement: Experimenting the effect of semi circles on the side seams and at the waist. Exaggerated deer head. on bodice.
Texture: Knits, twee, heavy and semi-heavy fabrics.
Colour: Camouflage army colours. leading to crimson blood and primary reds and blues. Light pastels accented with black.
Silhoette: Simple shapes- trenchcoats, turtlenecks, knee-length dresses.



SS 06
Imagery: Astrology, stars and clouds. Pop art.
Pattern: Large phantasmagoric prints, and teeny regularly repeated prints.
Placement:Large print garments made from one single piece of design, while small repeated patterned garments have bits of solid colour accent.
Texture: No physical texture in most collections. Lightweight fabrics- cotton and polyester used in this collection. Green dress seems to have an embossed jacquard texture.
Colour: Primary and neon colours.
Silhoette: Fitted clothing, some structured pieces. A-line dresses, boxy jackets, high-waisted skirts.



SS 08
Imagery: Tropics? Hawaiian flowers, African zig-zag motif, grass, clouds and chains- sailor influences?
Pattern:Irregularly and diagonally-repeated prints. Some non-repetitive prints.
Placement: Garments entirely made of a single printed fabric.
Texture: Lightweight cotton, jersey.
Colour:Some colour ways, bright orange, yellow, parrot green, with hints of black and purple.
Silhoette: Loose-fit garments, straight-cut dresses, flared dresses with an underlayer of ruffles.


From these three EK collections, I think there is an obvious fusion of a bit of Japanese art with Western aesthetics. Some influences of Art deco involved, and they are definitely inspired by everything they come to contact with every day, nothing philosophical.
Their approach is eccentric and simple, there is an emphasis on the use of colour and shapes.
Some outfits have clashing fabrics on the details such as pockets or when layered.


I like EK's cartoon-like use of colour and imagery, as well as the kind of girlish clothes they create. The pictures above show use of trompe loeil which is humourous and use of colours and imagery which i really admire.


I dislike these grandma-like silhoettes. They are stiff coats in patterns and colours I wouldn't immediately recognise as EK's work.


The picture on the left is from an EK-Ellese collaboration. It's got lots of penguins on it, and I think there is probably a parallel between the imagery I have created- the selection fo an animal to work on and repeating it.


I recently tried paper-cutting. The solid shapes and colours are definitely similar to some of EK's work.


This EK dress is printed to look as if its got lots of ruffles. I am interested in creating 3D textures on 2D surfaces.

In all, my work has some parallels to EK's but it isn't clearly evident since I am stilll unsure of my direction. I am going to try and experiment with more textures and shapes as well as placement.

sources: style.com, eleykishimoto.com, V&A museum.

Friday, October 24, 2008

11. Irrelevant Designer Research Week 5

7th Sept

I tried doing some designer research whose works relate to mine but there aren't any which have got a striking resemblance.


Balenciaga FW0809
Constructions aside, there are some techie-fabrics in this collection which have a sort of jacquard texture one might find in furisode kimono. I see some bits of trompe loeil- use of imagery of what appears to be dragon scales..


Hiromichi Nakano AW0809
I quite like the placement of the swans in this collection, and the combination of a tight and loose knit in the same dress


Lie Sang Bong SS08
LSB (Korean) built a whole collection on what seems to me like a well peeled apple shaving.
the ombre effect in the "single"(?) piece of cloth makes me think it might well be a strange fruit from outer space and the layering gives it more dimension, which makes me think the entire dress could have its layers printed on a piece of cloth. that makes trompe loeil.





Tuesday, October 21, 2008

15. Secondary Research Week 6

11th Sept
The last time I did research with the objective of finding a designer who works/ has works that are similar to mine was pretty unsuccessful. I tried looking at the works of other student designers who are studying textiles and other courses in universities.
I thought some of them (though not directly related to textiles or fashion) were very good techniques, and I could incorporate them into my textile designs.

Tang has emphasized a lot on the fact that digital printing is cool because it allows the illusion of something 3D, such as bead work or embroidery, without having to actually sew for hours on end.
I am picking up on this idea, but expanding it to other types of techniques I might try.. such as the illusion of a particular type of fabric/texture on the cloth but having a totally different hand-feel when explored with your fingers.

Friday, October 10, 2008

Thursday, October 9, 2008

26. Conceptualising

25th Sept

Met my lecturer last morning to get some help, as I've been doing other work and I always feel like I need to be guided. I know it's very bad, but I'm glad I did what I had to do to get back on track.
I came up with the phrase "to feel free" as the reason why I ♥ cycling, and then we thought about what feeling free is.
"to feel free" ≠ to be free. Although when one is physically free, he most probably feels free, but one might feel free for a while even though they're not really freed.
The main thing I want to be freed of is from my mother's control. I drew up this mind map. I was afraid of writing down "my mother", because it brings about lots of nasty stuff and I am worried about what others might think but Tang said I should be honest if I want to get the message across.

These are the ways in which free applies to my concept
free
–adjective
1.enjoying personal rights or liberty, as a person who is not in slavery: a land of free people.
7.clear of obstructions or obstacles, as a road or corridor: The highway is now free of fallen rock.
9.exempt or released from something specified that controls, restrains, burdens, etc. (usually fol. by from or of): free from worry; free of taxes.
10.having immunity or being safe (usually fol. by from): free from danger.


I always feel like leaving home. I've told myself that I need to get out of this house when I make my own cash. I live in a mad house. My life is partially under control of my mother, since I am unable to get through life on my own for monetary reasons. She has the upper hand in making my days hell, I need to put up with her erratic, selfish behaviour, but I am not her lover, I am not her mum. Her narcisstic behaviour makes me pull my hair and makes me upset. It gets in the way of my work, and of my social life. I feel like I've been deprived of good family relations. I feel abnormal, and I am really afraid of turning out like her. I can't wait for the day when I can leave for good, and never come back to this period.
articles.
one Discovery Health
"The fear of growing up to be like one's mother has long been so common among Western women that it has a name — matrophobia."
two realsimple.com
"She’s your mother. Or she’s your daughter. (And, frankly, sometimes it seems like she has this backward.)"

Wednesday, October 8, 2008

Monday, October 6, 2008

30. Reference to Contemporary Fashion

6th Oct
Research on contemporary fashion is has a recurring essence of freedom in the collections.

Jil Sander SS08
transparency, fluidity, layers, lightness,bi or tri-coloured




Chloe SS08
painterly, lightness, opaque, parti-coloured

Sunday, October 5, 2008

31. Further Reading

8th Oct



How do I translate this state of mind into a physical object/print/garment?

Sunday, September 28, 2008

38. Textile Presentation

at textile exhibitions, 
designers like to hang their fabrics from high up and let it fall onto the ground.